Nowhere is a high-contrast, condensed serif influenced by late 19th-century display types such as De Vinne and Bernase. Designed with a vertical structure and compact proportions, it revisits the ornamental energy of that period through a more controlled, contemporary lens. While early models pushed expression through dense contrast and decorative serifs, Nowhere reduces those gestures to their essentials. The result is a serif that feels deliberate and grounded — one that holds its place rather than seeking attention. Nowhere isn’t about nostalgia, but about stillness. It remembers where it came from, even when the world forgets.